class="title1">
73
Mattei, Shanti Escalante-De. «Beeple: China’s Deji Art Museum Seems like “Great Stewards” for S.2122 Sculpture». ARTnews.com, March 29, 2023.
74
Findlay, Michael. The Value of Art (New, expanded edition): Money. Power. Beauty. (p. 13). Prestel Verlag. Kindle Edition.
75
Hiscox Online Art Trade Report 2021. Accessed October 4, 2023. P21. (дата обращения: 04.10.2023).
76
Hiscox Online Art Trade Report 2021. Accessed October 4, 2023. P21. (дата
обращения: 04.10.2023).
77
Liu, Bai. «Arguments for the Rise of Artificial Intelligence Art: Does AI Art Have Creativity, Motivation, Self-Awareness and Emotion?» Arte, Individuo Y Sociedad Avance en línea (April 18, 2023): 1–11. https://doi.org/10.5209/aris.83808.
78
Jones, Nicola. «How Scientists Are Embracing NFTs». Nature, June 18, 2021.
79
Kali Hays, «OpenAI Offers a Way for Creators to Opt out of AI Training Data. It’s so Onerous That One Artist Called It “Enraging”». Business Insider. (дата обращения: 05.10.2023).
80
Gareth Harris, «The Dawn of Blockchain? CryptoPunks Evangelist Noah Davis on Why the Centre Pompidou NFT Show Is a Game-Changer», The Art Newspaper – International art news and events, April 7, 2023.
81
Joanna Zylinska, «Art in the Age of Artificial Intelligence», Science 381, no. 6654 (July 14, 2023): 139–140.
82
McAndrew, Clare. «The Art Basel and UBS Global Art Market Report». Art Basel. (дата обращения: 7.06.2023).
83
Отчет о галерее за 2022 год, Artsy.
84
«Market Analysis | Art Market Research & Analysis», ArtTactic | Art Market Research & Analysis For The Art World. (дата обращения: 05.10.2023).
85
«Harold Cohen – Biography, Shows, Articles & More», Artsy. (дата обращения: 05.10.2023).
86
Например, недавний аукцион Веры Мольнар на «Sotheby’s. Metaverse». Metaverse.sothebys.com (дата обращения: 03.10.2023).
87
Ежегодный отчет Art Basel является самым авторитетным аналитическим изданием по анализу данных по рынку искусства.
88
McAndrew, Clare, «The Art Basel and UBS Global Art Market Report», Art Basel.
89
Hiscox Online Art Trade Report 2021. Accessed October 4, 2023. https://www.hiscox.es/sites/spain/files/2021-10/21674a %20 %20Hiscox %20online %20art %20trade %20report %202021 %20- %20part %20one.pdf.
90
«Generative AI in Art Market Size, Share, and Forecast 2032», MarketResearch.biz.
91
«Generative AI in Art Market Size, Share, and Forecast 2032». MarketResearch.biz.
92
«Generative AI to Become a $1.3 Trillion Market by 2032, Research Finds | Press | Bloomberg LP». Bloomberg.com (дата обращения: 05.10.2023).
93
Там же.
94
Рассчитано автором на основе отчета Art Basel Report. McAndrew, Clare, «The Art Basel and UBS Global Art Market Report», Art Basel.
95
Ben Devis. «An Extremely Intelligent Lava Lamp: Refik Anadol’s A.I. Art Extravaganza at MoMA Is Fun, Just Don’t Think about It Too Hard». Artnet News, January 23, 2023.
96
Gareth Harris, «The Dawn of Blockchain? CryptoPunks Evangelist Noah Davis on Why the Centre Pompidou NFT Show Is a Game-Changer», The Art Newspaper – International art news and events, April 7, 2023.
97
«Natively Digital 1.3: Generative Art: 2022», Sotheby’s. (дата обращения: 05.10.2023).
98
«MA Computational Arts», Goldsmiths, University of London. (дата обращения: 04.10.2023).
99
Louis Jebb, «Olafur Eliasson Launches a Virtual Reality Work and NFT Commissioned by MetaKovan – the Man Who Paid $69.3m for “That” Beeple», The Art Newspaper – International art news and events, September 5, 2022.
100
Richard Whiddington, «Damien Hirst’s New A.I. Project, Which Asked Collectors to Generate Their Own Paintings, Earned Him $20 Million in Nine Days», Artnet News, April 21, 2023.
101
«Art NFT Collecting», www.arttechreport.com (дата обращения: 04.10.2023).
102
Jerry Saltz, «MoMA’s Glorified Lava Lamp», Vulture, February 22, 2023.
103
GOV.UK. «A Pro-Innovation Approach to AI Regulation». GOV.UK, March 29, 2023.
104
Christian Hugo Hoffmann and Benjamin Hahn, «Decentered Ethics in the Machine Era and Guidance for AI Regulation», AI & SOCIETY, October 12, 2019, P. 635.
105
Singh, Asha Lee Jai. «Is the Current UK Copyright Framework Sufficient for Protecting Emerging Technology in Ai-Generated Art?» Art, Antiquity & Law 27, no. 1 (04, 2022): 39–64: 39–64. https://search-ebscohost-com.ezproxy.sothebysinstitute.com/login.aspx?direct=true&db=asu&AN=157560321&site=ehost-live
106
«Federal Register: Request Access», March 15, 2023. unblock.federalregister.go.
107
Evan Gourvitz, «Can Works Created with AI Be Copyrighted? Copyright Office Issues Formal Guidance | Insights | Ropes & Gray LLP».
108
Adam Schrader, «Another A.I. – Generated Artwork Was Denied Copyright Protection, Adding a New Knot to the Complexities of Creative Ownership», Artnet News, September 26, 2023.
109
Thomas H. Davenport and Nitin Mittal, «How Generative AI Is Changing Creative Work», Harvard Business Review, November 14, 2022.
110
Atreya Mathur, «ArtIstic or ArtIficial? Ownership and Copyright Concerns in AI-Generated Artwork», Center for Art Law, November 21, 2022.
111
Rességuier, Anaïs, and Rowena Rodrigues. 2020. «AI Ethics Should Not Remain Toothless! A Call to Bring Back the Teeth of Ethics». Big Data & Society 7 (2): 2053951720942541.
112
Small, Zachary. «Black Artists Say A.I. shows Bias, with Algorithms Erasing their History». New York Times.
113
Там же.
114
Facebook/Instagram – проект Meta Platforms Inc., деятельность которой в России запрещена.
